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Originally reviewed March 2002.
Current featured guitar:
Lakewood M-32 - A Sitka/rosewood Grand Concert guitar. $1950.
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Sound
- This is the guitar made famous by Dave Matthews. So it was of
course the first guitar we ordered from Martin Seeliger.
Grand Concert guitars are typically similar in shape to OMs, but
slightly deeper, so we expected this to be a bit louder than a typical
OM. And although this guitar is indeed louder, what we didn't anticipate
was the unique, punchy ring the M-32 carries. In fact, that ring
is unusual enough that Tom and I struggled to name a guitar that
it easily compares to. To put it in perspective, a guitar like the
Morgan OM, which is not that much smaller than this guitar, has
a relaxed, balanced tone. But the Lakewood's tone is much more present
and direct. It has a bright punch that leaps from its larger soundhole.
But the guitar is not merely bright--it also has plenty of low end
to fill out the sound.
It occurred to me when I first played this guitar that it would
make a good blues guitar--just loud and ringy enough to have some
character, but still with a clean enough sound to make it a fantastic
acoustic instrument. And thus I often find myself picking this one
up if I ever feel like playing a few minutes of 3-chord blues. In
fact, this guitar probably suits that particular purpose better
than any we carry.
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Playability
- The neck on the M-32 is slightly deeper than the typical North American
slimline profile (which is about 3/4" deep at the nut), but still
shallower than, say, a Lowden neck. But it maintains this profile
up the length of the neck, so it's nicely playable. And although we
list the nut width as 1 3/4" after converting from millimeters,
it's actually just shy of this, probably closer to 1 23/32.
Finish - The finish work on this guitar is stunning. As
you can see in the picture below, the rosewood back has some great
graining--it's certainly one of the nicer-looking pieces of rosewood
I've run across on a $1950 guitar. The back and sides are matched
with rosewood body bindings, and check out the rosette in the picture
to the right. It has an abalone-rosewood-abalone inlay, another
rarity on guitars in this price range.
Martin foregoes the pickguard on this guitar, which is understandable
once you hold it on your lap--the tight waist and larger soundhole
don't leave an easy place to stick a standard pickguard. But given
the gorgeous finish on this guitar, it's actually kind of nice not
to have the pickguard covering things up.
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Summary
- This guitar has really grown on me. It's of course stunning to
look at when you first take it out of its case. And it has this
fantastic, punchy ring that's unlike any guitar we carry, and like
few guitars I remember playing. But it's kind of been like when
we had our first Alchemist
in here--even though I was surrounded by lots of terrific guitars,
I kept finding myself reaching for the Alchemist when I wanted to
sit down for half an hour and play some music. The tone of this
guitar rings in my ears even after I put it down, and I find myself
drawn back to it again and again. I can certainly see why so many
pros play these guitars. If you're looking for something with a
little more character and volume than a standard OM, I highly recommend
this little gem from Lakewood.
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